Saturday 25 November 2023

The Legacy and Future of Seirafian Rugs



 

Opinion piece:

 

The Legacy and Future of Seirafian Rugs

by

Hamed Sanei

Hamed Sanei is a professor of geoscience at Aarhus University, Denmark. Alongside his academic profession, he has been a connoisseur of Persian art, especially Isfahan rugs, for over three decades.

The author has not received any financial contributions, emphasizing that this is not a paid advertorial.

 

Summary

The article delves into the exceptional allure of Seirafian rugs. It traces the workshop's historical emergence, emphasizing its association with artistic luminaries and the cultural context that fostered its rise to prominence. It highlights the workshop's commitment to original designs and meticulous craftsmanship, which captivated collectors and connoisseurs. Despite the workshop's historical eminence, the article discusses the contemporary challenges faced by newer generations in maintaining the brand's artistic and qualitative standards. However, amidst these challenges, it praises the work of Karim Seirafian, who stands out for his adherence to the original artistic principles and execution, offering a beacon of hope for the brand's future. The article concludes by advocating for a return to the foundational principles of the past, urging other producers within the Seirafian brand to follow Karim's lead in preserving the legacy through quality, originality, and honoring the artisans.

 


What Makes Seirafian Rugs Exceptional

Many inquire about the allure of Seirafian rugs and their steep prices. To comprehend this, one must delve into the intricate process of rug making, distinguish between functional floor coverings and artistic masterpieces, and assess the provenance and originality of the rug.

The Seirafian workshop boasts a storied history, emerging in 1940 at the tail end of the Great Depression. This epoch coincided with an upturn in economic conditions and a resurgence of interest in Iran’s illustrious arts, fostered by luminaries like Arthur Pope. Iranian artists, inspired by the grandeur of past eras, particularly the Safavid and Seljuk dynasties, birthed a new cadre of masters. Notable figures such as Haj Mirza Agha Reza Emami and his protégés like Ahmad Archang, Haj Mosavar, Isa Bahadori, Rostam Shirazi, and others spearheaded this artistic renaissance.

Amidst Iran’s burgeoning civilization and the prosperous reign of Mohammad Reza Shah Pahlavi, Persian art flourished. The Seirafian workshop carved a niche in artisan rug making by upholding unparalleled standards of weaving, quality, and artistic finesse. Commissioning designs exclusively from two of the era’s greatest minds, Ahmad Archang and Haj Mosavar, the workshop ensured originality. These designs, not replicated from existing art but crafted expressly for weaving Persian rugs, were meticulously supervised by the Seirafians themselves and executed using only the finest materials.

The resulting Seirafian rugs soon captivated collectors, Persian rug aficionados, royalty, and the affluent for their spectacular beauty and originality. Decades later, Seirafian rugs stand as the pinnacle of weaving art, treasured by connoisseurs and museums alike.

A key reason for the exorbitant value of Seirafian rugs lies in their genesis. Each rug is meticulously woven, knot by knot, following the original hand-drawn design penned by the grand master, an original art piece boasting impeccable provenance. While a limited number of copies may exist, they still retain the hallmark of the great designers' original pen. Distinct from the myriad replicas flooding the market, these rugs stand as true works of art safeguarded by the workshop.

 

Contemplating New Seirafian Rug Purchases

While Seirafian rugs continue to be crafted, not all are deemed collectible for two primary reasons.

Firstly, the workshop has never been operating as a unified entity, resulting in variability in the products, with some straying from the stringent standards of the early Seirafian lineage.

Secondly, a looming threat to the artisan brand arises from unauthorized alterations to the original designs. Some producers employ modern technologies to modify and create iterations of the original works, compromising their originality and provenance. Although these rugs serve as exquisite furnishings, they lack the essence of original art.

 

Observing the Current Seirafian Workshop Status

As a discerning observer of the Seirafian workshop, I've witnessed a rather decline. While most of the recent works are more or less aligned with their forefathers' standards, some of the new rugs fall short in terms of both artistic merit and quality. Some productions seem to deviate from the ethos of Seirafian.

 

Hope for the Seirafian Brand and the Karim Seirafian Phenomenon

In this somewhat dim landscape of Persian rug art, a bright star shines: Karim Seirafian, son of the late Sadegh Seirafian. With over three decades of rug production, Karim’s creations are highly sought after, commanding premium prices. His success stems from not only his mastery in rug making but also his profound scholarly insight into Persian art, particularly Isfahan’s historical artistry. Adhering to the original Seirafian formula by engaging the best artists and utilizing superior materials, Karim's rugs stand out for their flawless execution of the original designs penned by master artists.

Mehrdad Sadri stands as an exemplary figure among the new generation of designers who have undergone formal training in the classic school of Isa Bahadori and Rostam Shirazi. His collaboration with Karim Seirafian marks the initiation of a new chapter in the grandeur of Seirafian rugs, akin to the impactful contributions of Ahmad Arhcng and Haj Mosavar.

 


Advice for Other Seirafian Rug Producers

To reclaim their former glory, workshops should heed the successful formula of the past by engaging eminent artists to create new designs rooted in Persian culture. Although this might increase production costs, the market will eventually reward this dedication. Prioritizing the use of superior materials and dyes, and acknowledging and rewarding the craftsmen, is vital. These artisans are the stars of this artistic endeavor and deserve recognition for their invaluable contribution.

I implore other family members producing under the Seirafian brand to emulate Karim Seirafian's approach. His dedication upholds the legendary Seirafian brand, setting a benchmark for quality and originality. Learning from his methods would be instrumental in preserving the Seirafian legacy.


Master Karim Seirafian, 

Master Mehrdad Sadri, Designer

Master Haj Mosavar, Designer

Master Ahmad Archang, Designer